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Casino interior design -Das Dach des Casinos ist in drei Deckenfelder unterteilt, jeweils dazwischen sorgen für eine helle einladende Gesamtatmosphäre lange Oberlichter. Project description In this project, the challenge for the lighting designers was as complex as the topography of the site: Abonnieren Sie unseren Newsletter. Within these slabs LED-baffles have been developed In close co-operation with the architects and acoustic planners to provide smooth indirect ambient lighting for the casino. Gold , Inspiration , Referenzprojekt , Referenzprojekte. Ob Hayons Objekte einem nun ein Lächeln ins Gesicht zaubern oder ob man sie belächelt - die Form folgt der übersprudelnden Phantasie ihres Designers. They were executed with dimmable fluorescents, in three different dimensions. Das Dach des Casinos ist in drei Deckenfelder unterteilt, jeweils dazwischen sorgen für eine helle einladende Gesamtatmosphäre lange Oberlichter. Auf einer Seite der Oberlichter verstärkt ein farbenreiches Kunstwerk das architektonische Konzept. Manchmal als ob Alice zusammen mit Jaime ein Restaurant im Wunderland eröffnet hätte. With our lighting concept we wanted to give carefully considered answers to all the various themes and architectural details. Im mondänen Club überwiegen dunkle Violetttöne sowie warme Gold- und Messingfarben, die den Glanz vergangener Tage ins Heute übersetzen. Manchmal als ob Alice zusammen mit Jaime ein Restaurant im Dänemark wetter juni eröffnet hätte. Light enables us to see. An essential part of the design task was to introduce daylight and a visual relation to the exterior by building a new light well. In der Alten Wache 3.liga 19/19 oktaeder-förmige, eigens für das Projekt konzipierte Pendelleuchten in freier Verteilung durch den multifunktional nutzbaren Veranstaltungsraum. Abonnieren Sie unseren Newsletter. Innerhalb dieser Felder wurden in kirsten flipkens Abstimmung mit den Architekten und den Super sport hr LED-Lamellen entwickelt, die eine weiche, indirekte Grundbeleuchtung für das Casino erzeugen. At one side of the long skylights, a strong colorful artwork enhances svensk casino architectural concept. In der Folgezeit entstanden zwei legale Spielbänke. Innerhalb dieser Felder wurden in enger Abstimmung mit den Architekten und den Akustikplanern LED-Lamellen entwickelt, die eine weiche, indirekte Grundbeleuchtung für das Casino erzeugen. Im Terraza del Casino konnte Jaime Hayon nun ein ganzes Szenario entwerfen und auch die komplette Dramaturgie für seine Geschöpfe übernehmen. Ein Projekt bei dem jungen, einflussreichen Gestaltern die Möglichkeit gegeben… Read more…. Mit dieser Auffassung tun sich Vertreter seiner Disziplin, deren Berufsauffassung die eines Problemlösers ist, schwer. Abgesehen von der unmittelbaren Wirkung erzeugt die Reflexion des beleuchteten Kunstwerkes einen dezenten angenehmen Farbverlauf auf den hellen Architekturflächen, der, abhängig vom eigenen Blickwinkel, variiert. Fein abgestimmte Beleuchtungsniveaus, sowohl auf den horizontalen wie den vertikalen Flächen, unterstützen die Architektur und schaffen eine angenehme Atmosphäre. A LED strip, located on the opposite side of the skylight, illuminates the artwork, in order to boost its effect also during the blue hour and in the evenings. Gold , Inspiration , Referenzprojekt , Referenzprojekte. Die markante und einzigartige Glasfassade des neuen Hamburger Wahrzeichens glitzert bei Sonnenschein schon von weitem. Unter anderem vertrieben sie sich ihre Zeit mit Kartenspielen. Und der sagt über sich selbst, dass er zwar als Designer ausgebildet wurde, aber im Innersten Künstler sei. We are independent architectural lighting designers. An Glücksspiel war damals noch nicht zu denken. Main menu news awards projects about contact.
Her designs were also more practical;  she eliminated the clutter that occupied the Victorian home, enabling people to entertain more guests comfortably.
In , de Wolfe was commissioned for the interior design of the Colony Club on Madison Avenue ; its interiors garnered her recognition almost over night.
In England, Syrie Maugham became a legendary interior designer credited with designing the first all-white room. Starting her career in the early s, her international reputation soon grew; she later expanded her business to New York City and Chicago.
In addition to mirrored screens, her trademark pieces included: The interior design profession became more established after World War II.
From the s onwards, spending on the home increased. Interior design courses were established, requiring the publication of textbooks and reference sources.
Historical accounts of interior designers and firms distinct from the decorative arts specialists were made available.
Organisations to regulate education, qualifications, standards and practices, etc. Interior design was previously seen as playing a secondary role to architecture.
It also has many connections to other design disciplines, involving the work of architects , industrial designers , engineers , builders, craftsmen, etc.
For these reasons, the government of interior design standards and qualifications was often incorporated into other professional organisations that involved design.
It was not until later that specific representation for the interior design profession was developed. Across Europe, other organisations such as The Finnish Association of Interior Architects were being established and in the International Interior Design Association was founded.
Ellen Mazur Thomson, author of Origins of Graphic Design in America , determined that professional status is achieved through education, self-imposed standards and professional gate-keeping organizations.
Interior design is the art and science of understanding people's behavior to create functional spaces within a building.
Decoration is the furnishing or adorning of a space with fashionable or beautiful things. In short, interior designers may decorate, but decorators do not design.
Interior designer implies that there is more of an emphasis on planning, functional design and the effective use of space, as compared to interior decorating.
An interior designer in fineline design can undertake projects that include arranging the basic layout of spaces within a building as well as projects that require an understanding of technical issues such as window and door positioning, acoustics , and lighting.
Interior designers often work directly with architects, engineers and contractors. Interior designers must be highly skilled in order to create interior environments that are functional, safe, and adhere to building codes, regulations and ADA requirements.
They go beyond the selection of color palettes and furnishings and apply their knowledge to the development of construction documents, occupancy loads, healthcare regulations and sustainable design principles, as well as the management and coordination of professional services including mechanical, electrical, plumbing, and life safety—all to ensure that people can live, learn or work in an innocuous environment that is also aesthetically pleasing.
Someone may wish to specialize and develop technical knowledge specific to one area or type of interior design, such as residential design, commercial design, hospitality design, healthcare design, universal design, exhibition design, furniture design, and spatial branding.
Interior design is a creative profession that is relatively new, constantly evolving, and often confusing to the public. It is not an artistic pursuit and relies on research from many fields to provide a well-trained understanding of how people are influenced by their environments.
Color is a powerful design tool in decoration, as well as in interior design which is the art of composing, and coordinating colors together to create a stylish scheme on the interior architecture of the space.
It is essential to interior designers to acquire a deep experience with colors, understand their psychological effects, and understand the meaning of each color in different locations and situations in order to create suitable combinations for each place.
Combining colors together could result in creating a state of mind as seen by the observer, and could eventually result in positive or negative effects on them.
Colors make the room feel either more calm, cheerful, comfortable, stressful, or dramatic. Color combination make a tiny room seem larger or smaller.
Residential design is the design of the interior of private residences. As this type design is very specific for individual situations, the needs and wants of the individual are paramount in this area of interior design.
The interior designer may work on the project from the initial planning stage or may work on the remodelling of an existing structure.
It is often a very involved process that takes months to fine-tune and create a space with the vision of the client. Other areas of specialization include amusement and theme park design, museum and exhibition design, exhibit design , event design including ceremonies, weddings, baby and bridal showers, parties, conventions, and concerts , interior and prop styling, craft styling, food styling, product styling, tablescape design, theatre and performance design, stage and set design, scenic design , and production design for film and television.
Beyond those, interior designers, particularly those with graduate education, can specialize in healthcare design, gerontological design, educational facility design, and other areas that require specialized knowledge.
Some university programs offer graduate studies in theses and other areas. For example, both Cornell University and the University of Florida offer interior design graduate programs in environment and behavior studies.
There are various paths that one can take to become a professional interior designer. All of these paths involve some form of training.
Working with a successful professional designer is an informal method of training and has previously been the most common method of education.
In many states, however, this path alone cannot lead to licensing as a professional interior designer. Training through an institution such as a college, art or design school or university is a more formal route to professional practice.
In the UK and the U. S, several university degree courses are now available, including those on interior architecture, taking three or four years to complete.
A formal education program, particularly one accredited by or developed with a professional organization of interior designers, can provide training that meets a minimum standard of excellence and therefore gives a student an education of a high standard.
There are also university graduate and Ph. There are a wide range of working conditions and employment opportunities within interior design.
Large and tiny corporations often hire interior designers as employees on regular working hours. Designers for smaller firms and online renovation platforms usually work on a contract or per-job basis.
Interior designers often work under stress to meet deadlines, stay on budget, and meet clients' needs. In some cases, licensed professionals review the work and sign it before submitting the design for approval by clients or construction permisioning.
The need for licensed review and signature varies by locality, relevant legislation, and scope of work.
Their work can involve significant travel to visit different locations. However, with technology development, the process of contacting clients and communicating design alternatives has become easier and requires less travel.
The Art Deco style began in Europe in the early years of the 20th century, with the waning of Art Nouveau. The Art Deco style influenced all areas of design, especially interior design, because it was the first style of interior decoration to spotlight new technologies and materials.
Art Deco style is mainly based on geometric shapes, streamlining, and clean lines. Art Deco rejected traditional materials of decoration and interior design, opting instead to use more unusual materials such as chrome , glass , stainless steel , shiny fabrics, mirrors , aluminium , lacquer , inlaid wood , sharkskin , and zebra skin.
These materials reflected the dawning modern age that was ushered in after the end of the First World War. The innovative combinations of these materials created contrasts that were very popular at the time - for example the mixing together of highly polished wood and black lacquer with satin and furs.
It was soon regarded as the trendiest barber shop in Britain due to its use of metallic materials. The color themes of Art Deco consisted of metallic color, neutral color, bright color, and black and white.
In interior design, cool metallic colors including silver, gold, metallic blue, charcoal grey, and platinum tended to predominate. His showroom design for a British dressmaking firm had a silver-grey background and black mirrored-glass wall panels.
Black and white was also a very popular color scheme during the s and s. Black and white checkerboard tiles, floors and wallpapers were very trendy at the time.
Art Deco furnishings and lighting fixtures had a glossy, luxurious appearance with the use of inlaid wood and reflective finishes. The furniture pieces often had curved edges, geometric shapes, and clean lines.
The painting extends into the house over the walls and doors, up the staircases, and onto the furniture itself. When a house is being painted, women from the community help each other finish the job.
The building then displays their shared taste and knowledge. Mothers pass these on to their daughters. This artwork is based on a geometry of straight lines and suggests the patterns common to textile weaving , with solid bands of different colors.
Certain motifs reappear, such as the triangular mihrab or 'niche' and the palmette. In the past, paint was produced from mineral and vegetable pigments.
Cloves and alfalfa yielded green. Blue came from the indigo plant. Red came from pomegranates and a certain mud. Paintbrushes were created from the tough hair found in a goat's tail.
Today, however, women use modern manufactured paint to create new looks, which have become an indicator of social and economic change.
Women in the Asir province often complete the decoration and painting of the house interior. Several Saudi women have become famous as majlis painters, such as Fatima Abou Gahas.
The interior walls of the home are brightly painted by the women, who work in defined patterns with lines, triangles, squares, diagonals and tree-like patterns.
Zigzag lines stand for water and also for lightning. Small triangles, especially when the widest area is at the top, are found in pre-Islamic representations of female figures.
Good examples of plasterwork can often be seen in the gaping ruins of torn-down buildings- the effect is light, delicate and airy.
It is usually around the majlis , around the coffee hearth and along the walls above where guests sat on rugs, against cushions.
Doughty wondered if this " parquetting of jis", this " gypsum fretwork However, the Najd fretwork seems very different from that seen in the Eastern Province and Oman , which are linked to Indian traditions, and rather resembles the motifs and patterns found in ancient Mesopotamia.
The rosette, the star, the triangle and the stepped pinnacle pattern of dadoes are all ancient patterns, and can be found all over the Middle East of antiquity.
Al-Qassim Province seems to be the home of this art, and there it is normally worked in hard white plaster though what you see is usually begrimed by the smoke of the coffee hearth.
In Riyadh , examples can be seen in unadorned clay. Interior design has become the subject of television shows. Famous interior designers whose work is featured in these programs include Linda Barker and Laurence Llewelyn-Bowen.
We do utilize lighting and media to heighten the visitor expectation and try to instill a sense of personal belonging and interest into the space.
The Sycuan Casino saw a potential market in non-gaming customers and asked Hnedak Bobo Group to help exploit the opportunity. With smoking being banned in more and more locations, people do not have the experience typical only a few years ago, of coming home reeking of cigarette smoke.
Most casinos still permit smoking, and most guests tolerate it—but the less smoke they experience the more they enjoy their stay.
Greg Peterson is a mechanical engineer with AE Associates, a mechanical, plumbing and electrical engineering firm that has worked on several casino renovations.
Bacon makes a similar observation: Leveraging this kind of feedback, Sycuan built a slot, table boutique casino within a casino dedicated solely to the non-smoking gaming customer.
Often, an attainable increase in returns can be found by raising the perceived level of quality of the facility by just enhancing the gaming experience itself.
When the renovation project is done, not only will the casino have a new, fresh look, but the air will be a lot fresher too.
One simple addition to the gaming environment that provides energy and excitement has been used successfully by Cleo Design.
Alter the gaming floor, improve the amenity mix, make better use of available space and venues, and clear the air are only a few items that a property can do to improve its appearance and attract more guests.
There are many options open to a property, and some will make more sense based upon local conditions than will others—but there are also a number of solid design professionals to help you reach your goals.
So one would argue that technology has changed the nature of the slot machines that cover casino floors. However, despite all the changes in the way slots look and are played, the basic design of a casino has changed little over the decades.
Until very recently, that is. The advent of multi-game and multi-denomination slot machines has lowered the number of physical machines needed to satisfy play requirements—the newest casinos and re-designed floors have wider aisles and a more comfortable environment for slot players than the factory-floor setups typical of casinos designed more than a decade ago.
Electronic table games are another development creating new types of spaces in casinos. Even with these changes, the basic design of the casino floor remains relatively unchanged.
Schulz, who has been designing casinos and resorts for 30 years, says the nature of slot play will probably dictate a significant change in casino design in the coming decades.
They are much more accustomed to mobile technology than the older generation. Spaces designed like this may become commonplace in the coming decades, predicts Schulz.
They will literally be able to gamble anywhere on the property. Friedmutter says social interaction is important to the younger generation of gamblers, even if hand-held devices are in play.
It was loud, and you would hear the coins coming down. What that did was attract attention. Everybody likes to see a winner.
The delivery of the message is going to be different, but the social nature of people is always there. The younger generation wants to be on games together.
That will change design, in that more people will be playing a game at one time. So there is, on the one hand, isolation, yet at the same time there is interaction.
Things are going to develop in technology and in the social interaction of people that might be hard to trend. However, the more comfortable people become with their hand-held devices, the more the game itself may be changing.
But certainly, 20 years from now, the majority of players are going to want to play on their individual hand-held devices, or devices issued to them by the casinos, instead of these floor-mounted machines.
However, he notes that a basic principle of casino floor design is adaptability. We try to leave the gaming area as open as possible, to allow for as much flexibility as possible—in the physical layout, in how the electronics work.
The technology will be there to make everything wireless if the gaming companies choose to do that.
It could fundamentally change how we look at casinos altogether. I can cite 10 examples of Disney-like attractions that have come and gone on casino floors.
I think there will always be this mix of the old and the new in the future. People try things, and some of them stick. And as they mature, people naturally evolve with it.
Like most other industries in the world, the casino design business has been deeply impacted by the rapid advances in technology. What were once dense drawings with pen and ink have now become large computer files, showing every detail and nuance of a design.
This year, the topic is how technology has changed the way architects, designers and builders do their jobs, and what it means to the owners, the customers and the experience.
Technology is impacting every part of our lives. What has been the biggest impact technology has had on casino design and construction over the past five years?
From a design standpoint, that would have to be BIM. A key component of our document delivery process is our expertise using building information modeling BIM , and specifically Revit technology.
BIM is a huge contributor to the accuracy and efficiency of our work, and its ability to fully reconcile program data with design documentation is unparalleled.
For architects, building information modeling has forever changed design and construction. Although increasing the time it takes to turn design into construction documents because of the steep learning curve, it has decreased construction time and dollars because of the fact that through the design process and model-building, many potential unforeseen problems have already been worked out before the construction phase begins.
Creating 3D visualization models using SketchUp and incorporating 3D models created with Autodesk Revit helps our clients to better understand and visualize design intent.
By far, the use of BIM opens up exciting new ways of working in the casino market for all team members.
Here are some examples of how BIM changes everything: Building a virtual project in 3D before breaking ground. Video conferencing and Smart Boards save time and money for meetings, and allow all participants to see the 3D virtual building in a live context, and add comments with graphic tools in a virtual group setting.
For Gensler, BIM has allowed our clients to assess their priorities: BIM has allowed us to have a powerful tool with multiple channels for project delivery.
In particular, we have seen a significant growth in design-assist or variations of design-build. For the past several years we have been utilizing 3D modeling and building information modeling as our standard practice in architectural design.
This is a tremendously important advance from hand drafting and 2D CAD software. Now, all of our projects are created in a 3D format from conceptual design through construction.
During the initial design phases, the exterior and interior design are fully modeled and rendered to provide the owner with a photorealistic image of all the major project components.
Technology today has placed many demands upon the interior designer not only for improved usability of a space but aesthetically as well.
In high-profile public spaces, the desire to create some animation and energy is typically a directive. Specifically, audio and visual sensory entertainment.
A larger-than-life feature of video display can not only be that source of energy, but can also be used to help in navigation to understand a facility, provide promotional content, or be an interactive icon by itself.
In casino design, the opportunity to provide a guest with multiple entertainment options is of great importance. While playing cards at table game, the multitasking gambler may also wish to watch a race or other sporting event.
The availability of video display can provide that connection as well as add to the ambiance for other guests. Our guests are expecting more information and more interactivity every day.
As we move forward, everything from way-finding to restaurant menu boards to the gaming devices themselves are becoming more interactive.
Something as simple as a way-finding map of the property has become a touch-screen video panel that provides information at levels never before seen.
In addition to these fixed informational systems, there is a new demand to be even more connected with applications for smart phones and personal devices that bring this information directly to the guest.
Technology has impacted almost every aspect of casino design—everything from sketch-rendering software to Revit documentation, lighting products to sustainable finish materials, even smart phones.
From our perspective, the biggest impact has been the way in which design and construction projects are managed and facilitated.
The continuous evolution of project management technologies and web-based information-sharing capabilities has allowed us to manage projects internally with greater efficiency and to collaborate throughout the design and construction process in a more seamless manner.
The biggest impact technology has had on casino design and construction is the ability to coordinate and resolve conflicts in a virtual environment.
Using CAD software, the design and construction team can sit in an office and literally walk through the entire project, viewing it at every major phase of construction in 3D.
Before construction ever starts, we have already resolved and actually improved design plans for the mechanical, electrical, plumbing and structural portions of a facility.
Streamlining major systems in the pre-construction phase eliminates unanticipated problems in the field, which in turn accelerates the project schedule.
Technology not only exponentially increases project efficiency; it promotes innovation and fosters creativity.
Planning in a collaborative atmosphere, especially on complex integrated systems, generates new ideas that ultimately improve processes and quality, and lower cost.
Is technology impacting the cost of construction in either a positive or negative way? In a very positive way. Cost estimates and construction schedules are produced from the BIM models from conceptual stages all the way through construction, keeping the project on budget and on schedule.
Large cost and time savings can be realized. These new abilities are made possible by our use of the newest and best technologies available on the market.
We are continually striving to stay ahead of the curve when it comes to using high-tech and cutting-edge tools for the betterment of a project.
Technology allows savings in many areas, while costs go up in others. What we have continued to see is that the technology itself, combined with the constant need to accelerate learning of new product lines, infrastructure and training within the construction professions themselves, makes the cost go up.
In other aspects of construction—fabrication, for example—costs can go down. The key is to leverage best practices for the highest value back to your client.
If you compare to even a high-cost performance video monitor to a traditional framed piece of artwork, a designer can actually cut costs when applied to an accessories portion of an interiors budget.
These new systems are requiring more data at higher speeds. The basic infrastructure of the facility must be capable of handling these increased demands.
As the basic player systems transition from traditional wired networks into high-speed ethernet systems, the requirements increase substantially.
These new technologies not only change the networks, but also require increases in the spaces to support them.
On the construction management side, the cost of construction is impacted by the minimized RFI process and thus fewer change order requests have helped control cost overrun on the project.
On the design side, our clients are embracing the latest media technologies to promote their identities and brands.
The impact of media technology in casino design translates directly into increased revenue. The ability for the entire project team to work within one 3D model simultaneously during the design process helps to ensure close coordination between consultants and fewer gaps in scope.
This process also allows for project costs and budgets to be established and monitored with great accuracy. Technology is a definite positive.
It saves time and money by resolving major conflicts in preconstruction. It also simplifies how information is documented, distributed and stored. Perhaps most importantly, technology vastly improves communication.
Gone are the days when project managers had to take a picture, go back to the office, write notes, and so on.
When a manager spots an issue in the field or has a question, he pulls out his electronic device, snaps a picture, types his comment, and sends it to a subcontractor, consultant or architect.
This leads to real-time decisions, improved efficiencies and better documentation. How has new technology—server-based gaming, player loyalty clubs, ticket-in-ticket-out, bonusing, etc.
Server-based gaming has the potential to completely redesign the casino floor as we know it. How you play the game and where you play it will start to transform as the technology advances.
As the server room takes control of the gaming, then, the design of the slot machine and its location can dramatically change. Ticket-in-ticket-out, self-redemption kiosks, cashier cages, count rooms and surveillance rooms have all been part of a transformation that has occurred over the last 10 years.
Technology has allowed designers to make many of the casino support areas smaller in size, while the need for data rooms and servers has increased.
Technology is changing the way we communicate and interact so fundamentally, that the whole definition of space is being redefined.
This creates a much more acute need to connect and be a part of human activity. The casino environments now must be able to not create and hold the excitement.
There is a real revolution going on in the current design of casinos. The key for guests and for owners is around flexibility and choice. Technology has provided so many different ways of delivering the gaming experience, the competitive differentiators have become more about the gaming environment, the amenities, and how they are integrated into the overall resort experience.
As a result, the required space for the cage has decreased. On the other hand, the additional locations for self-serve kiosks have resulted in a more complex and widely distributed infrastructure to support these features throughout the casino floor.
Casino resorts are designed with customer service in mind. New technology has strong customer service impact, in that it offers patrons what they want, when they want it—which is immediately.
This also affects design by requiring smaller cages, with fewer cashier windows and associated queuing areas to accommodate long lines at the redemption booths.
These technologies have had quite an impact on the way in which we design signage for server-based gaming environments.
Rather than producing signage that is themed to align with a specific game, our creative and production teams are creating signage to in-house, network-based LCDs that is much more architectural and in line with the surrounding interior design aesthetic.
Control and programming of the kinetic lighting and content that we incorporate into the signage features is closely coordinated with the gaming manufacturers to enable flexibility and proper synchronization with whatever game is in use, along the surrounding games to enable reaction and support to events such as jackpot payouts.
Do you encourage your clients to employ green technology in their projects? Our HBGreen initiative works by establishing a platform or framework to engage and inform our clients about sustainability and introduce key concepts that can help their facilities perform better and more efficiently.
Put simply, the appropriate sustainable practices and initiatives are integrated where feasible into every project, as well as our own daily operations.
Clients ask for it, manufacturers are creating it, and we are implementing it into our designs. When green technology does not cost more it is easy to convince clients to use it, but, when the initial costs or the payback periods are excessive, it is difficult to justify on a project.
We will not see percent participation of the use of green technology by architects, engineers, contractors and owners until the building codes make it mandatory.
Owners are eager to incorporate green technology and sustainability into project design where feasible and appropriate.
Improvements and methodology within specialty disciplines vary widely, however. Smoking continues to be the biggest hurdle in true green design, but a number of opportunities and certification processes are available, and we are sharing these opportunities with our clients.
Quickly, the client learns the verbiage and responds positively with some of the options that may be presented. During presentations, a designer can suggest a specific material that has green characteristics.
As an owner, we have a company-wide green initiative. All existing properties as well as new projects work to address these issues.
We are continually evaluating the best ways to incorporate green methods and technologies in our new facilities as well as how to retrofit the older properties with these new ideas.
It is becoming more common to see sustainability requirements in several of the new gaming jurisdictions as part of the licensing requirements.
Although construction will always be labor-intensive, technology has improved almost every aspect of the industry, including going green. Certainly, as a corporation, Tutor Perini advocates green technology as do most clients.
The drawback to going all green is cost. If a client can afford green technology or realizes ROI in a timely manner, they either go full bore or make smaller, strategic investments to reduce energy costs and improve the environmental impact of their property.
How will advancing technology improve the design and construction of casino resorts in the future? What will a casino resort look like 20 years from now?
We like to believe this kind of technology will ultimately be leveraged from a marketing and promotion standpoint to get a whole new breed of gaming customer through the physical door.
The challenge for the design industry, of course, will be to respond and meet the expectations of this digital-age demographic once they enter the facility.
As an example, the hotel lobby of today may not look anything like the hotel lobby of the future. In this kind of environment, operations will immediately know what the customer is looking for at any given time and be able to deliver it.
Real-time transactional data will become the most valuable asset on the property. Firms that are well-versed in BIM and have gone through the steep learning curve as this new technology continues to advance will be able to provide significant improvement on detail, design and discipline coordination.
New digital design tools and BIM technologies such as Autodesk Revit enable architects and designers to create very exciting and dramatic forms which were impossible in the past with traditional tools.
These designs can be output to digital fabrication tools which allow highly accurate construction in a controlled, high-tech shop environment.
Components are then delivered to the site and installed as pre-fabricated units, saving time and money. The casino of the future will continue to evolve to become more and more immersive and experiential.
The integrated resort, mega-resort and mixed-use development models will continue to be drivers for innovation and for dynamic environments.
The technologies we are seeing are blurring the lines between different uses and activities. The advancing opportunities of how technology can support the environment specifically to the aesthetics must be balanced with any possible negative connotations.
The casino resort of the future could very well be either a three-dimensional destination or a holographic mind meld.
A lot can happen in 20 years. Casinos in the future may look much different than today. They might start taking on the appearance of electronic arcades with more interactive machines, potential of holographic environments and fewer traditional slot machines.
Technology can create sweeping changes or can have a more subtle effect. For example, the elimination of actual coin on the public floor when playing table games saves money in the design and construction of facilities.
Although it is a minimal impact, the floors in public areas no longer need to support heavy loads of coin moving across them.
As a result, lighter structures are the norm today. While not all technology is trendy like an iPad or 3D software, the savings and efficiency add up.
The biggest technological advancement for us is still the immediacy of the mobile internet. From the transfer of huge quantities of data, to conducting remote meetings, communication, and presentations, to the infinite opportunities for research and development, the mobile internet still dramatically affects almost everything we do.
I believe one of the most invaluable technology tools today is the internet. We use it for research and testing new software by download and installing trial versions of potential new tools.
It is also a very helpful research tool for new products. It allows for immediate access to our clients and consultants via video conferencing.
It also expedites the sharing of data through a multitude of file-sharing tools such as project portals, FTP and online storage and transfer solutions.
Working faster, cleaner, and increasingly more efficient, our role is forever a wonderful challenge. Personally, the technologies that have improved the way in which I work every day are Wi-Fi and air cards, web-based meetings and screen sharing.
As design becomes more intricate and projects grow in scope and size, calmly solving challenges and creating new solutions in a 3D environment is a phenomenal benefit for everyone on a project.
Eliminating conflicts before construction starts positively impacts every major component of a project.
His professional practice experience spans 32 years and supports his leadership balancing dynamic programmatic development objectives with market-focused economics.
She is a frequent speaker at industry events and has authored numerous articles on real estate and demographic trends. She also is the co-founder of HomeAid America, established in to provide shelter for homeless families, returning veterans, women and their children.
Michael Calderon has been the information technology and CAD manager, and a principal for Lifescapes International for the past 18 years.
Calderon was originally hired as a consultant to train the office in the use of computers and CAD. He joined Thalden Boyd Emery Architects in and leads design and production for all projects in the office.
His design talent has inspired the firm in its design of award-winning projects throughout the years. In the past 26 years, Emery has designed hotels and casinos in gaming markets throughout North America and overseas.
Aside from his vast knowledge in casino and resort design, Emery has been at the cutting edge of CAD technology and building information modeling BIM.
With his extensive experience in fast-track and phasing, Emery has designed projects collectively worth over several billion dollars.
For over 30 years, Finn has been instrumental in the success of a wide range of planning and architectural projects, from the full range of hospitality projects to large-scale community master plans to transit facilities, civic buildings and mixed-use developments.
His unique experience brings a balanced, creative and conscientious philosophy to the design and planning process.
Friedmutter is a registered architect in Nevada and 43 additional states, holds an unrestricted Nevada gaming license, and has worked exclusively in the hospitality industry for more than 35 years.
Friedmutter worked as vice president of design and construction for Steve Wynn and Mirage Resorts, Inc.
Friedmutter is frequently honored for his contributions to the industry. Recent honors and awards include induction to the Hospitality Design Platinum Circle, honoring career achievement in the hospitality industry; the Hospitality Industry Network Lifetime Achievement Award; and the prestigious Sarno Lifetime Achievement Award for Casino Design.
Kulas has been a member of the Las Vegas design community for more than 25 years and has been involved in virtually all facets of interior design.
Jack Mohn is vice president of design and construction for Ameristar Casinos. Under his guidance, the company has recently completed renovations at two of its properties.
He holds a bachelor of science degree in architecture from the University of Southern California. Rizzo joined the corporation in as a project engineer and quickly rose through the ranks.
Past positions include project manager and president of Perini Building Company. Currently, Rizzo is responsible for new business development and company growth.
Other notable accomplishments include receiving the Las Vegas Chamber of Commerce Humanitarian of the Year Award as well as numerous awards from philanthropic and diversity organizations.
On August 29, Hurricane Katrina hastened the plan and also handled some of the demolition. Katrina roared up the Gulf Coast with winds of mph and a storm surge that at times reached 30 feet.
A second casino barge nearly capsized, and the walls of the land-based parking garage buckled. When the storm was over, sections of the nearby Biloxi-Ocean Springs Bridge jutted out of the water like a partially submerged, shuffled deck of cards.
State law at the time mandated that all gaming take place on water. Soon after the storm, Mississippi Governor Haley Barbour signed a law that would enable the casinos to rebuild on land, and officials at the Palace wasted no time picking up the pieces.
A large-scale renovation and expansion of the property would not begin for another five years. And that time, an economic storm dictated the terms.
We needed to look hard at the longevity of our investment. Crosby also wanted any additions to meld seamlessly with the existing structure. This had to integrate.
It was that good yin and yang, that push and pull, that got us to where we need to be. The bones of the tower remained, but the designers did away with the quasi-Moroccan theme in favor of a handsome, streamlined Art Deco look.
Like a new car, our goal was to keep it looking as good as the day we bought it. And we brought the same concept inside. The goal at the Palace was to surprise and intrigue guests at every turn by presenting those amenities in an unfolding sequence.
The former lobby, with its red and ivory color palette, circular skylight and incongruous swaying palms, has been replaced by a two-story atrium dominated by a back wall with twinkling lights behind layers of brass bars.
The lobby carpets include tones of royal blue, caramel and brown in a swirled pattern. The atrium also houses the concierge area, VIP check-in, a gift shop, spa and fitness center, business center and motor coach lounge.
When it came to a new cage-cashier and guest-services area, Crosby says he conserved money by dispensing with unnecessary signage.
They must be there to help take care of me. The fixtures are actually engineered to move slightly overheard, as if in a mild breeze.
The pre-Katrina sports bar had theater-style seating facing a bank of giant flat-screens TVs. If neither of us gets everything we want, we probably both got what we need.
The design template was already in place: The most surprising change may have been in the atrium, which once was dominated by outdated mauve marble.
But anything guests can touch—stone tops and counters, light fixtures—is a big expense, and you get the best quality possible.
All the gaming chairs were reupholstered, because all that can be seen and touched. A clunky millwork wine cellar has been replaced with one of skeletal steel for a modern twist.
Ongoing ease of maintenance—one way to save money over the life of a renovation—was top of mind during the month overhaul. It was a good canvas.
It just needed to be finished. The Casino Design Awards are the only honors that specifically recognize excellence in the field of casino resort design and construction.
Entries will be accepted for for facilities that opened Jan. Video Presentations should not exceed two 2 minutes in length for each entry and be under 20MB.
Submissions must list all the companies, including the consultants that worked on the project and must be submitted as a team. The format for submission includes a typed description max.
JUDGING Each entry will be judged on its own merits by a panel of five distinguished individuals selected for professional expertise in design, planning and construction.
Judges may re-categorize an entry if they believe it has been entered in the wrong category or it is better suited to another category.
One prize will be awarded to the entry in each category with the highest average total score compiled from each judge on the panel except in cases of a tie.
Judges will evaluate each entry based on the following criteria: Entry fees are non-refundable. If paying by check or money order U.
David Coheen S. Suite Las Vegas, NV Optimum use of land; creative use of space planning to create easy flow of traffic; adherence to architectural themes throughout property; use of color, texture and other design elements for maximum effect.
Firm must exhibit superior expertise at every design threshold. Particular attention to providing creative solutions for challenging opportunities.
Dollar figures refer to total investment including land and construction. Scale and scope of each project also will be considered. Particular attention to unique construction solutions.
Sensitivity to completion timing, budget and maintenance of a clean site. Optimum adherence to standards and procedures commensurate with a world-class construction entity.
Judging will evaluate all aspects of design and construction. Award will be presented to nominee with the most innovative and creative solution to the task.
His properties became instant icons on the Las Vegas Strip and although Sarno was unable to operate them profitably, he remained a player on the Las Vegas scene until his death in Information contained in an entry may be displayed, shown, duplicated, published or disposed of as G2E deems appropriate.
There have been a lot of casino hotel projects in Atlantic City over the past 34 years, though none have matched the anticipation and expectation of Revel.
From the start, Revel aimed to differentiate itself from other casino properties. In fact, there is hardly a straight line to be found on the property.
The story tower, topped by a giant light ball that can be seen for miles, is the second-tallest building in New Jersey and the second-tallest casino tower in the U.
Floor-to-ceiling windows in all the 1, hotel rooms—from an Ocean Room to a View Suite—offer sprawling views of the sea.
The porte cochere is located just off the Boardwalk and is accessed through an underground garage. A white, sail-like canopy shades the area. On the upper level above this is the pool deck with several small wading pools lined with a series of cabanas that offer guests the chance to relax in the shade.
Revel has 10 pools in all. Up another level, which can also be accessed from the outside, is the SkyGarden, a lushly landscaped area feet above the sea.
The SkyGarden incorporates 20, plants, including native pine trees. The curved walking paths echo the lines throughout the casino and the space sports several outdoor fire pits.
At its center is a coed bathhouse featuring a salt grotto, mineral pool, steam rooms and a beverage bar. The room spa offers an extensive list of relaxation treatments, with a fitness studio and exercise classes housed nearby.
Light and air are the dominating design elements of this sleek, ultra-modern casino. The front desk area is lined by comfortable living rooms and strategically placed bars.
The casino floor also takes in the ocean view. The floor, with bright red carpets and oversized lantern-like fixtures, holds 2, slot machines and table games, with an ample poker room on the second level.
With over 70 design firms playing a role in creating the resort, the project stands as one of the most challenging ever undertaken in Atlantic City.
DeSanctis said he feels the crowning achievement of Revel is its breathtaking lineup of ocean views, both from the rooms and from its outdoor decks and cabanas.
Sometimes it just takes a different frame for people to understand what you have. Revel Entertainment Group Architects: A year-long, multimillion-dollar redevelopment brought sleek contemporary style to the addition, made possible when owner-operator Crown Ltd.
The redevelopment was designed to appeal to a smart, affluent urban crowd that wants more from their visits than gambling.
Along with a new gaming area, the do-over added public and retail spaces, a new restaurant and bar, three new terraces, and new and renovated restrooms, among other improvements—all brought to vivid life with streamlined silhouettes and dazzling architectural features.
A new premium gaming room includes two party suites, new cage and casino support areas, and a living room-style bar-lounge with a space for live entertainment.
They want the affluent year-old to year-old patron to come to the casino for good food and entertainment with gaming integrated.
Ocean Downs and Hollywood Casino Perryville are small venues in prime locations, built to draw maximum revenue on minimal investment.
According to project architect Mike Larson of Klai Juba Architects, one of the challenges was to design a building that would fit nicely into the Arundel Mills Mall complex but would still stand out as stylish and unique.
The other was an accelerated time schedule. This was achieved by building the multi-level parking garage on top of the casino. Inside, the challenge was a bit different—filling a massive , square feet of space without overwhelming the customers.
The orientation of the building and parking garage posed a different challenge. In fact, the whole facility is high-energy. Klai Juba Architects Interior Design: Where else but in gaming can a symbol of capitalism gain the blessing of a communist government?
A major role will be played by Steelman Partners—as the architect and in the areas of interior and lighting design, as well as a principal—for this historic endeavor.
In , the Vietnamese government awarded Asian Coast Development the first license to build a gaming resort. It will be constructed on approximately acres, 80 miles from Ho Chi Minh City, the largest city in Vietnam.
The master plan consists of five stunning resorts and a gorgeous golf course set on the white sand beaches of Ba Ria Vung Tau Province.
This unique development opportunity in the temperate climate of southern Vietnam parallels the early growth of Las Vegas into a premier tourist destination.
The Ho Tram Strip will combine innovative architecture with lush natural surroundings to offer an exclusive and luxurious, experience-based alternative to Singapore and Macau.
Other key features include an exclusive VIP area with private lounges, high-end retail shopping and convenience retail, landscaped gardens with water features and an exclusive pool with cabanas and pool bar.
The planned second phase of the MGM Grand Ho Tram includes a further guest rooms and 14 VIP Villas, bringing the total number of five-star hotel rooms to 1, and completing the development of the first integrated resort.
Approximately acres Total Investment: The road to establishing a casino at the legendary Aqueduct racetrack was long and winding. But when Malaysian gaming giant Genting finally won the bidding in , the wait was well worth it.
Due to that favorable location, the property has quickly become the top slot machine performer in the nation.
So the various sections of the casino were given names that would make them feel at home: But there were other reasons for the separation of the casinos.
Genting has discussed building a convention center adjacent to the casino, which would also include a hotel and the legalization of table games.
Although nothing has been finalized, it would make Resorts World New York one of the premier casino destinations in the world.